“Shh!” Charlie stepped toward the midway, her head cocked to listen. “What in the world?”
I
followed her gaze across the fairgrounds where the big top towered over the smaller
event tents. Festive red, white, and blue flags atop each of them blew in the
morning breeze.
“Do
you guys hear that?” she asked.
“Hear
what?” Hollis said, wiping sweat from his face. He held the swaddled bird
against his chest.
The
peaked canopy of the big top stood tall over the row of concession stands. The
old marquee twinkled faintly in the sunlight, its red and yellow light bulbs
spelling out Sweetwater’s Traveling Show. Everything was quiet.
“Charlie?”
I knew better than to question her ears.
“What
is it?” Sam asked.
“Shhh.”
She closed her eyes and cupped her hands around her ears.
“I
don’t hear anything,” I said. “Actually I don’t hear anything at all.”
Usually,
on the day we arrived in a town, the fairgrounds were so noisy you could barely
have a conversation without shouting. The roustabouts and canvasmen made a
terrible racket erecting the tents and hammering the steel spikes into the
ground. Then there was the constant hum of generators and cranes and trucks
permeating everything as we all got things ready for the weeklong stay. Not to
mention the animals screeching and squawking and the regular people noise. But
from where we stood, it was eerily quiet. The whole place felt like a ghost
town.
A
mushroom of black smoke billowed above the big top in the distance. A rolling
boom reached us a moment later.
“Whoa,”
Sam whispered.
I had a chance to talk with Corrine about her book:
Tell me about your book.
THE EXPATRIATES is the first book in a new YA fantasy series about a teenage boy, Jim Wales, who discovers his family’s been hiding him in a traveling carnival because he’s being hunted for his powers.
How
would you describe your writing?
I’ve been told my writing is quite
visual, and I like to think that’s true. I’m a very visual person and that
comes through while I’m at my desk writing because as I build the worlds of my
story, I tend to start with visuals in an attempt to bring you into my world,
fully in that moment, in that scene. I think all writers want readers to have
that immersive experience while reading. And for me, that begins with visuals.
Do
you have to plan to write or are you constantly jotting ideas and lines down?
A little of both. The only way for me to
get work done is to schedule the time on my calendar. My biggest challenge in
my daily life is time-competition. We’ve got a lot of balls in the air at our
house, and even though I work from home, it’s difficult to stay on task and on schedule
with things that can be pushed back. So, while I am always jotting things down
and making voice memos for myself as ideas and lines come to me, I won’t get
anything done unless I make a plan to write.
Why
do you write?
I write because I love to read. I love
reading a story that makes my world disappear, or makes my heart race, or makes
my soul ache. I love reading the kind of stories that stick with me, that make
me think, and even the ones that are just plain thrilling. I write in an
attempt to do that. I have stories inside my own head that transport me in that
way, and I think it’s awesome to be able to share that with readers.
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